![]() ![]() Producing posters advertising for such musical groups as Big Brother and the Holding Company, Quicksilver Messenger Service, and Grateful Dead led to meeting the musicians and making contacts that were later to prove fruitful. Material associated with psychedelics, such as Zig-Zag rolling papers, were also referenced. The psychedelic posters Mouse and Kelley produced were heavily influenced by Art Nouveau graphics, particularly the works of Alphonse Mucha and Edmund Joseph Sullivan. The Monster Company also developed a profitable line of T-shirts, utilizing the four color process for silk screening. Mouse and Kelley also worked together as lead artists at Mouse Studios and The Monster Company, producing album cover art for the bands Journey and Grateful Dead. In 1967, Mouse collaborated with artists Kelley, Rick Griffin, Victor Moscoso and Wes Wilson to create the Berkeley Bonaparte Distribution Agency. You might recognize it from the band’s album covers, official logo, and website. This singular edition of the Dunk Low uses the latter of those two icons as its primary inspiration, with fuzzy. When one thinks of psychedelic art, it is the Californian work that jumps to mind. This font became synonymous with the Grateful Dead during the late 1960s and early 1970s, representing the era’s creative and psychedelic spirit. The Grateful Dead are widely known for their psychedelic music and iconography, most notably two graphic marks: the electric 'Steal Your Face' skull, and a chorus of colourful dancing bears (also called Marching Bears). Rick Griffin was also a devoted contributor to comix like Zap. ![]() Later the pair also produced posters for promoter Bill Graham and for other events in the psychedelic community. Posters, like this one for the Grateful Dead, were a key focus of psychedelic design Rick Griffin was also a devoted contributor to comix like Zap. In 1966, when Chet Helms assumed leadership of the group and began promoting the dances at the Avalon Ballroom, Mouse and Kelley began working together to produce posters for the events. Upon arrival in San Francisco Kelley and other veterans of the gang renamed themselves The Family Dog, and began producing rock music dances. Kelley, a self-taught artist, had recently arrived from Virginia City, Nevada, where he had joined a group of hippies who called themselves the Red Dog Saloon gang. Settling initially in Oakland, Mouse met Alton Kelley. In 1965, Mouse travelled to San Francisco, California with a group of art school friends. Stanley George Miller (born October 10, 1940), better known as Mouse and Stanley Mouse, is an American artist, notable for his 1960s psychedelic rock concert poster designs for the Grateful Dead and Journey albums cover art as well as many others. ![]()
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